https://anneegviken.com annee grøtte viken Wed, 05 Jun 2024 12:00:31 +0000 https://anneegviken.com en https://anneegviken.com/landing-page Wed, 05 Jun 2024 12:00:31 +0000 annee grøtte viken https://anneegviken.com/landing-page home <img width="3600" height="2700" width_o="3600" height_o="2700" data-src="https://freight.cargo.site/t/original/i/5897d2818eabb4c090a748458b9cf59784e12f9050f826aad8d7585d8b991625/D-E-Presentation-ensaparisest_web32.jpg" data-mid="249281489" border="0" src="https://freight.cargo.site/w/1000/i/5897d2818eabb4c090a748458b9cf59784e12f9050f826aad8d7585d8b991625/D-E-Presentation-ensaparisest_web32.jpg" /> The Kitchen and The Cook (Domestic Encyclopaedia / Oblique Encounters of Domestic Space) &nbsp; &nbsp; selbu &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; studio (at) anneegviken.com&nbsp;&nbsp; &nbsp; brussels https://anneegviken.com/about-2 Thu, 14 Sep 2023 18:31:42 +0000 annee grøtte viken https://anneegviken.com/about-2 course of life There have been no calls today. I have misplaced it. I am sure of it now. ABOUT Faux Fiction artistic practice&nbsp; As an artist and writer with a background in architectural conservation I use fiction as a tool for exploring the cultural and material realities of space and the potential they hold for repairing broken relationships. In particuar in relation to nature. Looking to language and craftsmanship as agents for attention and dialogue I often develop works in close collaboration with others across fields and cultures to help question how we relate to space, its multiple and interwoven meanings, and how it affects the way we relate to the world around us. Rooted in place, stories and practices tied to growing up on a farm in the countryside in Norway.&nbsp; Based in Brussels and Norway. &nbsp;Education and current workMa from the Studio for Immediate Spaces at the Sandberg Institute Amsterdam,&nbsp; a craftsmanship Diploma in decorative painting from Institut Superieur De Peinture Van Der Kelen-Logelain in Brussels, and a Post-Master in Architectural Conservation from the Royal Academy of Arts in Stockholm. Currently working on the topic of the «garden», developing site specific work in public space (Sluisbuurt, Amsterdam). “The Linseed Oil Schoolyard” or “The most useful — artefact” revolves around flax, linseed oil, pigments and practices of making. The work is developed in collaboration with the (Nelly&amp;) Theo van Doesburg Stichting and curator Jules van den Langenberg. Extended practice Teach CREATIVE WRITING at Ma Corpo-real, the master studio of Interior Architecture at ArtEZ (NL),&nbsp; runs the studio CABANE for works related to crafts, design, (future) heritage and architecture (cabane.no), co-founder of SELBU HUSFLIDSCENTRAL a local business that takes care of the intangible cultural heritage of the Selbu knitting tradition (selbuhusflidscentral.no) currently located in Selbu at Selbu Bygdemuseum and at Sverresborg Museum in Trondheim NO.&nbsp; Co-initator of ULLDAGA - a local network (of farmers, biologists, artists, artisans, designers, architects, spinning mills) working on research on and sustainable use of wool @ulldaga21_23. AUNHEIM a shared, long term engagement of relocating and rebuilding a traditional log-house (former community house) on the family farm in Selbu, Norway.&nbsp; Follow the process&nbsp; @aunheim. StudioBrussels, Belgium&nbsp; Selbu, Norway. CONTACTstudio (at) anneegviken.com instagram︎ EDUCATION 2021 -22Post-master Royal Institute of Art StockholmArchitectural Conservation: The Great Acceleration2017-18Craftsmanship training Institut Supérieur de Peinture Van Der Kelen - LogelainDiploma, medaille bronze 2012-14 MasterStudio for Immediate Spaces Sandberg Institute · Gerrit Rietveld Academie, Amsterdam, NL Jury: Anne Holtrop, Jurgen Bey, Hanne Hagenaars, Bart Lodewijk and Tom Vandeputte. Nominated BNI award NL.&nbsp;·Winner BNI AwardBeropesvereniging Nederlands Interieurarchitecten category Master 2007 Bachelor in Arts Interior Architecture passed with distinction Griffith College Dublin, Dublin, IE · RESIDENCIES&nbsp; · GRANTS 2025 From Plant to Paint, AFK, NL 2025 Domestic Encyclopaedia, Kulturdirektoratet, NO 2025 Somme Si, Kulturrådet, NO 2025 Residency, Amsterdam, Culture Moves Europe, Goethe Institute, EU/EEA 2024 for ULL, exhibition, TFK, NO 2023 The Research Council of Norway, Distriktsforsk for SHC, NO 2021 - 2023 ULLDAGA, projectgrant norske kunsthåndverkere,&nbsp; 2022 Residency Atelier Nord, Oslo, NO2022 Royal Academy of Arts Stockholm Architecture grant, KKH, Stockholm, SE 2022 Trøndelag Fylkeskommune, art and culture, project grant, NO 2022 Selbu kommune, art and culture, project grant, NO 2021 Trøndelag Fylkeskommune, art and culture, project grant, NO 2021 Selbu kommune, art and culture - project grant, NO 2020 Trøndelag Fylkeskommune, art and culture - project grant, NO 2019 Trøndelag Fylkeskommune, projectgrant for young artists, NO 2018 AFK - Amsterdam Fonds Voor de Kunst, projectfunding, NL 2016/ 2017 Material Residency, Jan Van Eyck Academie, Stimuleringsfonds, NL2015 Project grant – ‘It Had Something To Do With The Telling Of Time’,&nbsp; Stimuleringsfonds NL2014 Winner BNI - Beropesvereniging Nederlands Interieurarchitecten, NL award 2014, Category masters, ‘It Had Something To Do With The Telling Of Time’ , NL WORKS&nbsp; 2025 News from Nowhere, houseexhibition, (nelly&amp;) theo van doesburg stichting, Amsterdam.&nbsp; 2025 From plant to paint to public, performance (nelly&amp;) theo van doesburg stichting, Amsterdam 2025 Domestic Encyclopaedia, published by Set Margins 2025 Somme Si, Selbu, NO 2024 “mur augmenté” in collaboration with Accattone Magazine (Sophie Dars &amp; Carlo Menon) for MAGASIN/MAGAZINE (PFDV)13 Dec 2023 — 31 Jan 2024, Académie des beaux-arts, Pariswithin the exhibition Émulations&nbsp;curated by Emmanuelle Chiappone-Piriou, Benjamin Lafore and Sébastien Martinez-Barat.Winner of le Prix Charles Abella 2023 2023 Commissioned Faux Bois (elm burl) painted hood for artist Thorben Gröbel and his work PARAVENT, shown at MANIERA, Brussels 2022 - 2023 Public program and Demonstration of Care“ A Wall To Care About?” Stockholm, SE 2015 - 2023 (ongoing) ‘Domestic Encyclopaedia - in seven chapters’ a collaboration with composer Marthe Belsvik Stavrum. 2020 I Am Selbu, Galleri Kulviksvingen, Selbu (with covid limitations)2018 Cave of Forgotten Dreams, duo show with Juri Suzuki, NEVERNEVERLAND, Amsterdam2018 Exercises de Style with Pauline Bayet, Rue des fabriques, Brussels, BE2018 ‘Prospect Cottage’ - reading at TMBR assembly, Brussels2018 Performance in collaboration with Juri Suzuki for her solo show ‘Undressing local commodities’, de Fabriek, Eindhoven, NL 2016 ‘Het Bal’ at Paleis Soestdijk‘ with Jewellery Persectives (Irma Földényi and Evelien Bracke), NL2016 ‘FLIP TORTILLA’&nbsp; with&nbsp; Alonso Vazquez, Lebanese Sajeria, East Wing, Sandberg Institute, Amsterdam, NL2016 ‘Were You Blonde’, solo, Galleri Kulviksvingen, Selbu, NO2016 ‘The Cave – The Observer‘, performance, ABC, Amsterdam, NL2015 ‘The Cave – The Observer’, performance, Cappelens forslag, Oslo, NO 2015 ‘Blondegardin’ with Alicja Nowicz, Gütermann/KNSM-laan, Amsterdam,NL2015 ‘Sensory Space Show’, Suns and Stars Exhibitions, Pakhuis de Zwijger, Amsterdam2015 ‘It Had Something To Do With The Telling Of Time‘, Onomatopee, Dutch Design Week2015 ‘Long Hair Love Call’ with Take Me On (Podcast Series), Triangle Art Space, Marseille2014 ‘BODY, SOUND, ACTION’&nbsp; with Take Me On (Podcast Series), Walden Affairs, Den Haag, NL2014 BNI awards show with Sven Van Asten, Goirle, NL2013 One Hundred And Twenty Doors, Atelier à Habiter, Z33, Hasselt, BE2013 Collective Sandsculpture, Unfair Amsterdam, NL2013 Washing, Track, Maintenance, Expanded Performance Stroom, Den Haag, NL2013 WHY DALE? / KVIFOR DALE?, Skulehuset, Dale i Sunnfjord, NO as albergo rosa2017 Ring of Fire, Jan van Eyck Academie, Maastricht, NL2017 Intensive Care, Bureau Europa, Maastricht, NL2017 Open Studios, Jan Van Eyck Academie, Maastricht, NL2016 Performance, Opening of Physical fiction, Garage Rotterdam, NL2014 ‘It’s Only An Hours Drive Away’, Momart, , Amsterdam, NL2014 Went out for Cigarettes and Never Came Back’, Sandberg Instituut, Amsterdam, NL albergo rosa - collaborative practice with artist and architect maximiliaan royakkers (BE) &nbsp; WRITING 2022 Essay for the publication Den stora accellerationen, post master, KKH2022 Essay on the work of artist Márk Redele, Like Dust Before It Falls, Building Fictions, 20222012 Essay ‘Nature Boy’ for Rights of Way, ed. Amy Gowen, Onomateopee, 20212021 Essays on the works of artist Nina Frankova, onomatopee, 20232020 Commissioned critique, sandberg instituut (ed. Rosa te Velde, Huib Haye van der Werf) 2020 commission, ‘JPL’&nbsp; essay on Belgian sculptor Jean-Paul Laenen for Jean-Paul Laenen estate 2019 Essay, commission, ‘Lost in Translation’ for graphic designer Ines Cox2018 Newspaper -Digital Tabloid&nbsp; in collaboration with Juri Suzuki2018 Essay - The Garden and The Botanist, writingplace2018 Essay - commission, The Moonpalace / ‘D3ATHfromAB0V3x - 659 points 9 months ago‘ (Invited guest, Public Sandberg, Sandberg Institute, Open day)︎2017 Essay - COSMICOMICS* - account of Writingplace workshop -storytelling and space with MA Corporeal at ArtEZ, Zwolle.︎2017 Illustration, commission, to Monsters in the Livingroom by Louise Schouwenberg for Macguffin Magazine no.52017 Essay - commission, The Octopus Slay In 80 Ways - 70 FINGERS AND 14 EYES INTERPRETING THE SANDBERG GRADUATION SHOW︎ (Invited guest, Public Sandberg)2016&nbsp; Glossary, commission, ‘FLIP TORTILLA’&nbsp; – OBLIQUE KITCHEN GLOSSARY – Strategies for a spatial understanding of kitchens 2016 Spatial narrative, commisson, JEWELLERY PERSPECTIVES - account of exhibition, a larger research project initiated by designer Irma Földényi and curator Evelien Bracke︎2015 Essay, commisson, The Window / The Gaffer – MacGuffin Magazine 02: The Window, Amsterdam, NL2015 Book, ‘It Had Something To Do With The Telling Of Time’, Annee Grøtte Viken, published by Onomatopee, &nbsp; &nbsp; &nbsp; &nbsp; Eindhoven, NL (extract on Writingplace︎)2014&nbsp; Book, ‘INDIA’ (material gesture), Studio for Immediate Spaces, Anne Holtrop, NL2014&nbsp; Zine, ‘What is the Work’, Studio for Immediate Spaces, Sandberg Institute, NL2013&nbsp; Booklet, ‘Space stories’ , Annee Grøtte Viken, self-published, advisor Lucy Cotter, NL2012&nbsp; Book, WHY DALE? / KVIFOR DALE?’ collaboration with architect and artist Anna Weilhartner (AT) self-published, NO TALKS &nbsp; &nbsp; &nbsp; &nbsp; TEACHING &nbsp; 2023 “After Nature - In Sense of Place” at the seminar Common Resources at the Institute of Advances Studies, Paris- invited by École d'architecture de la ville &amp; des territoires. Paris-Est.2018- ongoing&nbsp; &nbsp;Creative writing, visiting tutor,&nbsp; Ma Corpo-real, ArtEZ, NL2021 - 2022 Moderator discourse, Ma Corpo-real, ArtEZ, NL2019 Studytrip - la cambre, bxl (cancelled due to covid19)2018 Visiting crit, interior architecture, LUCA school of Arts, Brussels2017- 18 Material tutor, NKF, Oslo2018 TMBR Assembly, Brussels2017 Cosmicomics* workshop, Ma Corpo-real, ArtEZ, NL2017 Writingplace workshop, TU Delft, NL2016 Lecture, ABC, Amsterdam, NL2015 Book talk, Galleri Kulviksvingen, Selbu, NO2015 Book talk, &nbsp;Cappelens Forslag, Oslo2015&nbsp; Studiovisit, Studio for Immediate Spaces, Sandberg Insitituut Amsterdam2015&nbsp; Lecture, ‘Spaces in Fiction’, Public School for Architecture, Bozar, Brussels, BE2015- 18&nbsp; Member and contributor to the architectural writing platform, writingplace.org, NL2015&nbsp; Jurymember BNI prijs 2015 CABANE@commedescabanes 2023 faux bois for artist Thorben Gröbel (DE)2022 - ongoing, marketstalls in collaboration with a local carpenter, Selbu, NO2021 - ongoing&nbsp; ‘Aunheim’ - the relocation of a log house, selbu. NO. @aunheim2020 - 2023 ULLDAGA, co-founder of a network engaged in research on wool, local production and linking people and professions. Exhibition planned 2024, Trondheim. 2016 ‘Garden pavillion’, Selbu, NO2015 ´House for a Stone Collector´ Renovation private house,&nbsp; NO2015 ‘Woensel West’, architectural advisor, artist Julieta Garcia Vasques /TAAK, Eindhoven, NL2014 ‘Tungevågen’, museum, arch. competition, collaboration with architect and landscape artist John Londsdale (UK/NL) and landscape architect Hanneke Kijne (NL) Hosper.nl, Amsterdam, NL2011&nbsp; ‘Sagbenken‘, Renovation private house, Hell, NO STUDYTRIPS 2020 - 23 NORWAY Lillehammer Maihaugen - crafts and conservation (slate roofing and fresco painting, pigments and preparation of chalk) Tingvoll - wool and weaving. &nbsp;Selbu -&nbsp; Trondheim visiting craftspeople specialised in wood and textile techniques. 2021 - 2022&nbsp; SWEDEN Malmø, Stockholm, Kiruna - conservation, craftsmanship, research2019 IRAN Tehran - Kashan, Yazd , Esfahan, Shiraz, Persepolis, Necropolis. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Research trip on persian gardens and persian miniature drawings2014 GERMANY Wuppertal2014 INDIA Gujarat, places of production, (cotton, bricks, woodblock carving and printing, weaving, studio mumbai)2013 BELGIUM places of production (quarry, animation, car factory&nbsp;2010 DENMARK Copenhagen&nbsp; LANGUAGES Norwegian (native), English (fluent), French (C1), Dutch (B1) &nbsp; OTHER ceo &amp; owner of Selbu HusflidscentralBoardmember of Selbu climbing club &nbsp; ‘I sit in a living room. I am listening to a conversation between two people. Their conversation does not make any sense to me. Yet I listen. It seems to take place somewhere else, somewhere I haven’t been. I try to trace the conversation. I try to write it down. The more I write, the less I am sure of where the sentences come from. It seems like they are no longer part of the conversation I am listening to. I realise the written words have become mine, that they no longer exist as spoken sound, and that they no longer belong to the person who uttered the words… I am no longer sitting in the living room. I am in a place I have been, but have never tread.’ Book, ’It Had Something To Do With The Telling Of Time’ - Spaces in Fiction - Constructs of Reality, published with Onomatopee, 2015 <img width="3687" height="5163" width_o="3687" height_o="5163" data-src="https://freight.cargo.site/t/original/i/4332bfa9b14c81c639a8ca331f9391e44e051dab5dc26eb69d4a140d027223d9/grtte_150_rgb.jpg" data-mid="249719260" border="0" src="https://freight.cargo.site/w/1000/i/4332bfa9b14c81c639a8ca331f9391e44e051dab5dc26eb69d4a140d027223d9/grtte_150_rgb.jpg" /> &nbsp; https://anneegviken.com/insert-images Tue, 11 Jan 2022 11:43:24 +0000 annee grøtte viken https://anneegviken.com/insert-images insert images of work in random ordertake me back text THE DOMESTIC ENCYCLOPAEDIAbook <img width="2681" height="4003" width_o="2681" height_o="4003" data-src="https://freight.cargo.site/t/original/i/50ba293fd89e0ccb0c1c6da56a4f7147594368923ef070e3fd7ddc64b849bbd6/SetMargins_TheDomesticEnyclopedia_043.jpg" data-mid="244662822" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/50ba293fd89e0ccb0c1c6da56a4f7147594368923ef070e3fd7ddc64b849bbd6/SetMargins_TheDomesticEnyclopedia_043.jpg" /><img width="4017" height="2689" width_o="4017" height_o="2689" data-src="https://freight.cargo.site/t/original/i/33b58fa0d8253c3692782b14dc1304a84510c488aac85c09609c9a84f52544b8/SetMargins_TheDomesticEnyclopedia_056.jpg" data-mid="249283434" border="0" src="https://freight.cargo.site/w/1000/i/33b58fa0d8253c3692782b14dc1304a84510c488aac85c09609c9a84f52544b8/SetMargins_TheDomesticEnyclopedia_056.jpg" /><img width="4009" height="2684" width_o="4009" height_o="2684" data-src="https://freight.cargo.site/t/original/i/9db4c9bec0608d9506b0f9558dd86f9ff457f148434fd846bf2640bc8b12f38a/SetMargins_TheDomesticEnyclopedia_053.jpg" data-mid="249283438" border="0" src="https://freight.cargo.site/w/1000/i/9db4c9bec0608d9506b0f9558dd86f9ff457f148434fd846bf2640bc8b12f38a/SetMargins_TheDomesticEnyclopedia_053.jpg" /><img width="4007" height="2683" width_o="4007" height_o="2683" data-src="https://freight.cargo.site/t/original/i/93210859227421829244139ff552ac03d8010edbd1ee6f5fc387ba8a19b140d4/SetMargins_TheDomesticEnyclopedia_045.jpg" data-mid="249283437" border="0" src="https://freight.cargo.site/w/1000/i/93210859227421829244139ff552ac03d8010edbd1ee6f5fc387ba8a19b140d4/SetMargins_TheDomesticEnyclopedia_045.jpg" /> <img width="4004" height="2681" width_o="4004" height_o="2681" data-src="https://freight.cargo.site/t/original/i/f15615b9c2615a007f31d0a6b50dde5a93d13f701ed3b0fc82b0a6b778e37159/SetMargins_TheDomesticEnyclopedia_052.jpg" data-mid="249283436" border="0" src="https://freight.cargo.site/w/1000/i/f15615b9c2615a007f31d0a6b50dde5a93d13f701ed3b0fc82b0a6b778e37159/SetMargins_TheDomesticEnyclopedia_052.jpg" /> DIGITAL TABLOID newspaper <img width="1366" height="2048" width_o="1366" height_o="2048" data-src="https://freight.cargo.site/t/original/i/6f6a15ff47f6456058b712c90554bb2b379ddab12f7a9c234802efb46856fa1c/Juri_Annee_dePunt_01s.jpg" data-mid="190870164" border="0" src="https://freight.cargo.site/w/1000/i/6f6a15ff47f6456058b712c90554bb2b379ddab12f7a9c234802efb46856fa1c/Juri_Annee_dePunt_01s.jpg" />Showroom &amp; Digital Tabloid, newspaper,&nbsp;Cave of Forgotten Dreams with Juri Suzuki de punt, amsterdam, 2018 <img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/9655c406da7ebc30a02ed144e0d9b071d4a2a5d47919d27afa941272cc8fb4f1/Juri_Annee_dePunt_08s.jpg" data-mid="190870161" border="0" src="https://freight.cargo.site/w/1000/i/9655c406da7ebc30a02ed144e0d9b071d4a2a5d47919d27afa941272cc8fb4f1/Juri_Annee_dePunt_08s.jpg" />Digital Tabloid, newspaper, Cave of Forgotten Dreams with Juri Suzuki de punt, amsterdam, 2018 <img width="427" height="298" width_o="427" height_o="298" data-src="https://freight.cargo.site/t/original/i/9f90c082c5fb53028c62d229b4514950bf70077de77dd1569887cd3b5ba40c54/flip-tortilla.jpeg" data-mid="190870152" border="0" src="https://freight.cargo.site/w/427/i/9f90c082c5fb53028c62d229b4514950bf70077de77dd1569887cd3b5ba40c54/flip-tortilla.jpeg" />Flip Tortilla, text for the Lebanese Sajeria, Amsterdam, 2016<img width="496" height="333" width_o="496" height_o="333" data-src="https://freight.cargo.site/t/original/i/89498f73a944d6e18f9916b64d6c242c042ba214e23c1fa2ef825f42d911700a/flip-tortilla-2.jpeg" data-mid="190870156" border="0" src="https://freight.cargo.site/w/496/i/89498f73a944d6e18f9916b64d6c242c042ba214e23c1fa2ef825f42d911700a/flip-tortilla-2.jpeg" />Flip Tortilla, text for the Lebanese Sajeria, Amsterdam, 2016 <img width="439" height="297" width_o="439" height_o="297" data-src="https://freight.cargo.site/t/original/i/6774d303e4ec18580742396b888581e1f0ab43da38f31903e7ba941e82a8c3d4/flip-tortilla-3.jpeg" data-mid="190870153" border="0" src="https://freight.cargo.site/w/439/i/6774d303e4ec18580742396b888581e1f0ab43da38f31903e7ba941e82a8c3d4/flip-tortilla-3.jpeg" />Flip Tortilla, text for the Lebanese Sajeria, Amsterdam, 2016 SOBER LIGHTSABERS <img width="1241" height="1754" width_o="1241" height_o="1754" data-src="https://freight.cargo.site/t/original/i/cb4807019ee42962b6e263e99474b4602c9a243b927379f4bfae8939627fed19/SOBER-LIGHTSABERS.jpg" data-mid="190870139" border="0" src="https://freight.cargo.site/w/1000/i/cb4807019ee42962b6e263e99474b4602c9a243b927379f4bfae8939627fed19/SOBER-LIGHTSABERS.jpg" />Sober Lightsabers, Performance, De School, Amsterdam, 2019 A WALL TO CARE ABOUT?subway pamphlet<img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/5702cfe7e55c79235c7bb3a54891ae2842df8042e23a9cc696de5c32ee57b558/MUR-Satra-centrum_program.jpg" data-mid="190870132" border="0" src="https://freight.cargo.site/w/1000/i/5702cfe7e55c79235c7bb3a54891ae2842df8042e23a9cc696de5c32ee57b558/MUR-Satra-centrum_program.jpg" /><img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/4281fac4738a774e876ad5ba7ab489cd22d09ab3bb7ded6b4f3e71087006715e/MUR-Satra-centrum_program2.jpg" data-mid="190870124" border="0" src="https://freight.cargo.site/w/1000/i/4281fac4738a774e876ad5ba7ab489cd22d09ab3bb7ded6b4f3e71087006715e/MUR-Satra-centrum_program2.jpg" /> A Wall to Care About? Subway pamhlets, paper, inkjet, 2023a work on the sculpture ‘mur’ - Eva Lange, Nicke Rosén &amp; Marie Stenqvist, Sätra centrum, Stockholm, 1965 THE RED HERRING for Jewellery Perspectives <img width="2499" height="3488" width_o="2499" height_o="3488" data-src="https://freight.cargo.site/t/original/i/b3c5cab03175807f590c01d7be680bf33f5a495f8c80f7110a972960760af888/mechanisms-of-detection-5.jpg" data-mid="191078166" border="0" src="https://freight.cargo.site/w/1000/i/b3c5cab03175807f590c01d7be680bf33f5a495f8c80f7110a972960760af888/mechanisms-of-detection-5.jpg" />‘The Inner Ear’ visual essay for Jewellery perspectives at ‘het bal’, soestdijk palace, nl, 2015 <img width="2499" height="3488" width_o="2499" height_o="3488" data-src="https://freight.cargo.site/t/original/i/1e9a3a5205894126e675a30adf33eb8ffc6aa663752f0c0775ae7332b59a9dd9/mechanisms-of-detection-4.jpg" data-mid="190870157" border="0" src="https://freight.cargo.site/w/1000/i/1e9a3a5205894126e675a30adf33eb8ffc6aa663752f0c0775ae7332b59a9dd9/mechanisms-of-detection-4.jpg" />‘Perhaps It Was Meant To Be Like This All Along’ visual essay for Jewellery perspectives at ‘het bal’, soestdijk palace, nl, 2015 <img width="431" height="287" width_o="431" height_o="287" data-src="https://freight.cargo.site/t/original/i/8753500b581dfc49e3359f661aaba37744aef16bffcc98e729ca04eb0cdfc691/1_i-became-very-interested-in-the-paradigm-of-science.jpg" data-mid="138696009" border="0" src="https://freight.cargo.site/w/431/i/8753500b581dfc49e3359f661aaba37744aef16bffcc98e729ca04eb0cdfc691/1_i-became-very-interested-in-the-paradigm-of-science.jpg" />installation view Jewellery perspectives at ‘het bal’, soestdijk palace, nl, 2015<img width="2499" height="3488" width_o="2499" height_o="3488" data-src="https://freight.cargo.site/t/original/i/0405cd6abc9910cf113512fee6ecc5d384162296da65dfb606ef9f768a03ec6b/mechanisms-of-detection-8.jpg" data-mid="129745680" border="0" src="https://freight.cargo.site/w/1000/i/0405cd6abc9910cf113512fee6ecc5d384162296da65dfb606ef9f768a03ec6b/mechanisms-of-detection-8.jpg" />Possible Routes visual essay for Jewellery perspectives at ‘het bal’, soestdijk palace, nl, 2015 <img width="2555" height="1704" width_o="2555" height_o="1704" data-src="https://freight.cargo.site/t/original/i/6b42f68d485e98a02294bfdfd8342b84197f736d709fbd53028f40c56b5e359d/7.jpg" data-mid="190870162" border="0" src="https://freight.cargo.site/w/1000/i/6b42f68d485e98a02294bfdfd8342b84197f736d709fbd53028f40c56b5e359d/7.jpg" />Installation view visual essay for Jewellery perspectives at ‘het bal’, soestdijk palace, nl, 2015AFTER DARK <img width="1218" height="563" width_o="1218" height_o="563" data-src="https://freight.cargo.site/t/original/i/ce4d8a765e601565c808cff94b0ba1b34bf7742eb5460b31254ee88dd6df23a0/AFTER-DARK.png" data-mid="190870120" border="0" src="https://freight.cargo.site/w/1000/i/ce4d8a765e601565c808cff94b0ba1b34bf7742eb5460b31254ee88dd6df23a0/AFTER-DARK.png" />After Dark (Performance) for Take me On (Podcast series) Walden Affairs, Den Haag, 2015 <img width="1213" height="550" width_o="1213" height_o="550" data-src="https://freight.cargo.site/t/original/i/bb1a2fe4778a285ef1cb48dc24bca377128f96f42154ada172dc3d7efdfa4ce2/POOL-MADE-OF-MIRRORS-2.png" data-mid="190870126" border="0" src="https://freight.cargo.site/w/1000/i/bb1a2fe4778a285ef1cb48dc24bca377128f96f42154ada172dc3d7efdfa4ce2/POOL-MADE-OF-MIRRORS-2.png" />Pool Made of Mirrors (Performance)forTake Me On, Triangle, Marseille, France, 2015 <img width="491" height="600" width_o="491" height_o="600" data-src="https://freight.cargo.site/t/original/i/242689356d82e0b7ab47cd7f60634bcf5339a5eb9be49f5def83bf0c626cf670/b064bf56cf99c73bec40b90645862ab8_m.jpg" data-mid="190870154" border="0" src="https://freight.cargo.site/w/491/i/242689356d82e0b7ab47cd7f60634bcf5339a5eb9be49f5def83bf0c626cf670/b064bf56cf99c73bec40b90645862ab8_m.jpg" />Book It Had Something To Do With The Telling Of Time, Onomatopee, NL, 2015 <img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/bee3f0266742cad91f3767b9e8e7bfa5491393654840874a8c365061ae6b0a8d/cf582b376c5ac9b08e9b2b642a496718_m.jpg" data-mid="129745583" border="0" src="https://freight.cargo.site/w/800/i/bee3f0266742cad91f3767b9e8e7bfa5491393654840874a8c365061ae6b0a8d/cf582b376c5ac9b08e9b2b642a496718_m.jpg" /><img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/2d5648672f6d2ac267b358d43cd59cfe3f1c9312161e2fad6cbb95e5dd3b8a61/643bdc2ce8cd87a00e0046275c588600_m.jpg" data-mid="129745585" border="0" src="https://freight.cargo.site/w/800/i/2d5648672f6d2ac267b358d43cd59cfe3f1c9312161e2fad6cbb95e5dd3b8a61/643bdc2ce8cd87a00e0046275c588600_m.jpg" /><img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/04d72fdfff28d104b1b7a3e5e6d17be576c2743ccc8506fd019fe3b236f67890/5443a164da4ac712e175c8540014071e_m.jpg" data-mid="129745586" border="0" src="https://freight.cargo.site/w/800/i/04d72fdfff28d104b1b7a3e5e6d17be576c2743ccc8506fd019fe3b236f67890/5443a164da4ac712e175c8540014071e_m.jpg" /> visual essay for Jewellery perspectives at ‘het bal’, soestdijk palace, nl, 2015 IIII · XXXX works EEN ODE AAN DE TUIN embroidered linen cloth <img width="1167" height="1750" width_o="1167" height_o="1750" data-src="https://freight.cargo.site/t/original/i/f0d2eb51e7357d1a64f5a1a9eb3edf3c153775c4d7af2fa2c7afcce80b852251/LR_Sowingsymposium_1750px_may_2026_photo_by_sandervanwettum-33.jpg" data-mid="249281560" border="0" src="https://freight.cargo.site/w/1000/i/f0d2eb51e7357d1a64f5a1a9eb3edf3c153775c4d7af2fa2c7afcce80b852251/LR_Sowingsymposium_1750px_may_2026_photo_by_sandervanwettum-33.jpg" /> Een Ode Aan De Tuin, second hand linen, shoestring plyester thread, linen rope, 2026 BIRD’S EYE lantern <img width="1167" height="1750" width_o="1167" height_o="1750" data-src="https://freight.cargo.site/t/original/i/fa2bd45a78d8e955a20f201cf8b9111b3e51d8545e019e21b97d68ec0eb5f3a8/LR_Sowingsymposium_1750px_may_2026_photo_by_sandervanwettum-32.jpg" data-mid="249281930" border="0" src="https://freight.cargo.site/w/1000/i/fa2bd45a78d8e955a20f201cf8b9111b3e51d8545e019e21b97d68ec0eb5f3a8/LR_Sowingsymposium_1750px_may_2026_photo_by_sandervanwettum-32.jpg" /> Bird’s Eye repurposed and painted vintage Friso Kramer lantern linseed oil paint, pigment, water2026 FLAX SQUARE18m2 circle of soil sown with flax seeds <img width="1750" height="1167" width_o="1750" height_o="1167" data-src="https://freight.cargo.site/t/original/i/2a27e4f9ff90d75f1f8ba6f9b419dbd88674eb970920cbeae105b487a2dca7df/LR_Sowingsymposium_1750px_may_2026_photo_by_sandervanwettum-34.jpg" data-mid="249283389" border="0" src="https://freight.cargo.site/w/1000/i/2a27e4f9ff90d75f1f8ba6f9b419dbd88674eb970920cbeae105b487a2dca7df/LR_Sowingsymposium_1750px_may_2026_photo_by_sandervanwettum-34.jpg" />Flax Square (the most useful — artefactsoil, flaxseeds, Sluisbuurt, Amsterdam, 2026 <img width="1167" height="1750" width_o="1167" height_o="1750" data-src="https://freight.cargo.site/t/original/i/798772c74ad8f3076c19f9294d92d0a3b1bda63a0407c0b8a6a0e598eb366b83/LR_Sowingsymposium_1750px_may_2026_photo_by_sandervanwettum-35.jpg" data-mid="249283404" border="0" src="https://freight.cargo.site/w/1000/i/798772c74ad8f3076c19f9294d92d0a3b1bda63a0407c0b8a6a0e598eb366b83/LR_Sowingsymposium_1750px_may_2026_photo_by_sandervanwettum-35.jpg" /> Flax Square (the most useful — artefactsoil, flaxseeds, Sluisbuurt, Amsterdam, 2026 CONSTRUCTION SITE CONVERSATIONS gathering <img width="1750" height="1167" width_o="1750" height_o="1167" data-src="https://freight.cargo.site/t/original/i/d4ac5f64372d9954904afde337e2d375ea51cf13330ffdbc6eaa195b919e5a82/LR_Sluisbuurtproject_photo_by_sandervanwettum-25.jpg" data-mid="190870130" border="0" src="https://freight.cargo.site/w/1000/i/d4ac5f64372d9954904afde337e2d375ea51cf13330ffdbc6eaa195b919e5a82/LR_Sluisbuurtproject_photo_by_sandervanwettum-25.jpg" />Gathering Sluisbuurt, Amsterdam&nbsp; (linseed oil schoolgarden) Theo (and Nelly) van Doesburg StichtingNL FROM PLANT TO PAINT TO PUBLICpainting in public space <img width="1167" height="1750" width_o="1167" height_o="1750" data-src="https://freight.cargo.site/t/original/i/ee46e1e7e1b8fd7f11cf3137dffd50449b0d4f46cea8e2c69f9924583ddab15e/LR_vanplanttotpenseelnaarpubliek_2025_foto_door_sandervanwettum-14-of-38.jpg" data-mid="239069445" border="0" src="https://freight.cargo.site/w/1000/i/ee46e1e7e1b8fd7f11cf3137dffd50449b0d4f46cea8e2c69f9924583ddab15e/LR_vanplanttotpenseelnaarpubliek_2025_foto_door_sandervanwettum-14-of-38.jpg" />From Plant to Paint to Public, Amsterdam Zuid, painting in public space, 2025 <img width="1750" height="1167" width_o="1750" height_o="1167" data-src="https://freight.cargo.site/t/original/i/45d4a947009693b10aa4f5e9a9692b986d7bfb119829f54f455771947b076865/LR_vanplanttotpenseelnaarpubliek_2025_foto_door_sandervanwettum-19-of-38.jpg" data-mid="239069450" border="0" src="https://freight.cargo.site/w/1000/i/45d4a947009693b10aa4f5e9a9692b986d7bfb119829f54f455771947b076865/LR_vanplanttotpenseelnaarpubliek_2025_foto_door_sandervanwettum-19-of-38.jpg" /> From Plant to Paint to Public, Amsterdam Zuid, painting in public space, 2025 A WALL TO CARE ABOUT?caring for public artworks <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/be4f78c7aebc81cddaacdd76613474bd6aecd9af9eae6911b0e723a6925d59a5/2022-03-19-13.05.39.jpg" data-mid="190870137" border="0" src="https://freight.cargo.site/w/1000/i/be4f78c7aebc81cddaacdd76613474bd6aecd9af9eae6911b0e723a6925d59a5/2022-03-19-13.05.39.jpg" /> A Wall to Care About? work about ‘mur’ a sculpture by Eva Lange, Nicke Rosén &amp; Marie Stenqvist, Sätra centrum, Stockholm, 1965 <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/a80c85a54e9c5815f2caeaf0aa491b3b0b63c2c961f55b3ae49085af3a6fabaa/IMG_8028.jpeg" data-mid="191079182" border="0" src="https://freight.cargo.site/w/1000/i/a80c85a54e9c5815f2caeaf0aa491b3b0b63c2c961f55b3ae49085af3a6fabaa/IMG_8028.jpeg" />A Wall to Care About? ‘mur’ - Eva Lange, Nicke Rosén &amp; Marie Stenqvist, Sätra centrum, Stockholm, 1965 AUNHEIMa shared loghouse<img width="1440" height="1800" width_o="1440" height_o="1800" data-src="https://freight.cargo.site/t/original/i/45003c0f4e0bbc3991734a9c4d7bcb3de0b5d82aa495045a8182029d38c5d4db/2022-10-21-18.58.45-6.jpg" data-mid="190870158" border="0" src="https://freight.cargo.site/w/1000/i/45003c0f4e0bbc3991734a9c4d7bcb3de0b5d82aa495045a8182029d38c5d4db/2022-10-21-18.58.45-6.jpg" />Moving a log house - building together, Selbu, Norway LICHENphotograph <img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/1ca4c57a5a5e8917b9cabe24e9a1c0aefd5b57fb6b29ac78d947a15d39d3e089/2323825253814827136.jpg" data-mid="190829122" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/1ca4c57a5a5e8917b9cabe24e9a1c0aefd5b57fb6b29ac78d947a15d39d3e089/2323825253814827136.jpg" />Picture of lichen in Selbu, Norway 2019TEHERAN2019<img width="3456" height="4608" width_o="3456" height_o="4608" data-src="https://freight.cargo.site/t/original/i/027107e8f472ad1383cc47f1c5bb08eb535e83ce5a72239d8fa1102bfbcce7a9/IMG_20191103_123344.jpg" data-mid="191078064" border="0" src="https://freight.cargo.site/w/1000/i/027107e8f472ad1383cc47f1c5bb08eb535e83ce5a72239d8fa1102bfbcce7a9/IMG_20191103_123344.jpg" />Teheran, Iran, 2019 SOMME SI, TÅ STENexhibition <img width="2592" height="3872" width_o="2592" height_o="3872" data-src="https://freight.cargo.site/t/original/i/a844f3fa2804930cbd38d7873b853ff2d752d91da2c19b71651932062c363c64/DSC_0916.jpg" data-mid="190870123" border="0" src="https://freight.cargo.site/w/1000/i/a844f3fa2804930cbd38d7873b853ff2d752d91da2c19b71651932062c363c64/DSC_0916.jpg" />‘Hållåskadd - Kubbestol’&nbsp; (I am Selbu) Somme si, tå Stenpaper, pigment, linseedoil, 80x140 cm, Galleri Kulviksvingen, 2020 <img width="3456" height="4608" width_o="3456" height_o="4608" data-src="https://freight.cargo.site/t/original/i/d480a591c9097ff353870d3ece8e184825a4d5706e8edc222a678142fec2f686/IMG_20201015_190631.jpg" data-mid="190870121" border="0" src="https://freight.cargo.site/w/1000/i/d480a591c9097ff353870d3ece8e184825a4d5706e8edc222a678142fec2f686/IMG_20201015_190631.jpg" /> (I am Selbu) Somme si, tå Steninstallation, Galleri Kulviksvingen, 2020&nbsp; <img width="2592" height="3872" width_o="2592" height_o="3872" data-src="https://freight.cargo.site/t/original/i/3e4a771002da522b659127a9276430c2f9183376344bb144e16345dd058497c0/DSC_0905.jpg" data-mid="190870144" border="0" src="https://freight.cargo.site/w/1000/i/3e4a771002da522b659127a9276430c2f9183376344bb144e16345dd058497c0/DSC_0905.jpg" /> ‘Nea Ganka - Pren’&nbsp; (I am Selbu) Somme si, tå Stenpaper, pigment, linseedoil, 80x140 cm, Galleri Kulviksvingen, 2020 <img width="3456" height="4608" width_o="3456" height_o="4608" data-src="https://freight.cargo.site/t/original/i/17d825947c02b22bbd016a91394c389ea8b853f8660a9f4564fafb09ab5f9467/IMG_20201015_190537.jpg" data-mid="190870133" border="0" src="https://freight.cargo.site/w/1000/i/17d825947c02b22bbd016a91394c389ea8b853f8660a9f4564fafb09ab5f9467/IMG_20201015_190537.jpg" />Table Collagefound and made materialpart of exhibition (I am Selbu) Somme si, tå Sten Galleri Kulviksvingen, 2020 <img width="1542" height="3111" width_o="1542" height_o="3111" data-src="https://freight.cargo.site/t/original/i/cf97cb72b29f8e800415fc56926e8c00946bb8188dc0734e4240bb6b68addc1d/E_DSC_0921_1.jpg" data-mid="190870149" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/cf97cb72b29f8e800415fc56926e8c00946bb8188dc0734e4240bb6b68addc1d/E_DSC_0921_1.jpg" />close up of “Hållåskadd”part of exhibition (I am Selbu) Somme si, tå Sten paper, pigment, linseedoil, 80x140 cm, Galleri Kulviksvingen, 2020 TABLE SERIESwatercolours<img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/335ebf09449526f6a367777ceb22b1661796f1a3fd47b16a9c7870a935c49895/2022-05-07-19.51.35-1.jpg" data-mid="191079752" border="0" src="https://freight.cargo.site/w/1000/i/335ebf09449526f6a367777ceb22b1661796f1a3fd47b16a9c7870a935c49895/2022-05-07-19.51.35-1.jpg" /> Table series 2023 —20257x12 cm, watercolour, pencil, paper <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/7b388e953d11d8efca0417bc8b4dfc67a5c668b9dd1100586f7b7955536bfc9c/2022-05-07-19.51.16.jpg" data-mid="191079751" border="0" src="https://freight.cargo.site/w/1000/i/7b388e953d11d8efca0417bc8b4dfc67a5c668b9dd1100586f7b7955536bfc9c/2022-05-07-19.51.16.jpg" />Table series 2023 —20257x12 cm watercolour, pencil, paper MAGASIN MAGAZINEa project by Accattone <img width="1281" height="1920" width_o="1281" height_o="1920" data-src="https://freight.cargo.site/t/original/i/4e801590e8a0656aca27aa2c4ae8318108cfd460796dfd3dc8df6fe14b717e62/240117_Emulations_Salem_web-41.jpg" data-mid="205828068" border="0" src="https://freight.cargo.site/w/1000/i/4e801590e8a0656aca27aa2c4ae8318108cfd460796dfd3dc8df6fe14b717e62/240117_Emulations_Salem_web-41.jpg" />detail of sculpture“mur augmenté” wattle and daub technique - pigment, clay, straw, metal chain and hooks, wood,&nbsp; oilpaint, pigment, icw. Accattone dummy vessel paper clay, linseed oil paint, water, pigment, 2023CAVE OF FORGOTTEN DREAMS exhibition<img width="3456" height="4608" width_o="3456" height_o="4608" data-src="https://freight.cargo.site/t/original/i/da27b106887ddd9e357137a0a8d9bcdf323b9c6dc072614c3b55f2f37dfcc18a/IMG_20181114_152523-copy-2.jpg" data-mid="190870155" border="0" src="https://freight.cargo.site/w/1000/i/da27b106887ddd9e357137a0a8d9bcdf323b9c6dc072614c3b55f2f37dfcc18a/IMG_20181114_152523-copy-2.jpg" /> “Lunatik and Acid - addict” (On the backside: Marble columns from Rubens house in Antwerp)linseed oil, pigment, paper, metal string, 2018 Cave of Forgotten Dreams with Juri Suzuki, de Punt, Amsterdam <img width="1366" height="2048" width_o="1366" height_o="2048" data-src="https://freight.cargo.site/t/original/i/c2b2641aae8f615209313d9e9d1320e47699070526f9bd773ed9ebf428ee4a15/Juri_Annee_dePunt_32s.jpg" data-mid="129745742" border="0" src="https://freight.cargo.site/w/1000/i/c2b2641aae8f615209313d9e9d1320e47699070526f9bd773ed9ebf428ee4a15/Juri_Annee_dePunt_32s.jpg" />“Pierre - lover” (On the backside: Marble columns from Rubens house in Antwerp)linseed oil, pigment, paper, metal string, 2018Cave of Forgotten Dreams with Juri Suzuki, de Punt, Amsterdam <img width="1366" height="2048" width_o="1366" height_o="2048" data-src="https://freight.cargo.site/t/original/i/02ca508d61063beac5aeaf1ec05e268434eabf65fccf6d738a5150df73d48af1/Juri_Annee_dePunt_34s.jpg" data-mid="190870136" border="0" src="https://freight.cargo.site/w/1000/i/02ca508d61063beac5aeaf1ec05e268434eabf65fccf6d738a5150df73d48af1/Juri_Annee_dePunt_34s.jpg" /> “Pörtal - hole” (On the backside: Marble columns from Rubens house in Antwerp)linseed oil, pigment, paper, metal string, 2018 Cave of Forgotten Dreams with Juri Suzuki, de Punt, Amsterdam <img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/67eca247025310335ee42f3675e0a902940b7cde53a149e2ca1a25e6a7dd1212/Juri_Annee_Yurie_dePunt_12s.jpg" data-mid="190870147" border="0" src="https://freight.cargo.site/w/1000/i/67eca247025310335ee42f3675e0a902940b7cde53a149e2ca1a25e6a7dd1212/Juri_Annee_Yurie_dePunt_12s.jpg" /> cave of forgotten dreams performance with Juri Suzuki and dancer Yurie Umamoto <img width="2048" height="1389" width_o="2048" height_o="1389" data-src="https://freight.cargo.site/t/original/i/34f792b83a6e68f09e4ad15b876b3f5d06b3719504fdf009e71df56e00999b1d/Juri_Annee_Yurie_dePunt_03s.jpg" data-mid="190870150" border="0" src="https://freight.cargo.site/w/1000/i/34f792b83a6e68f09e4ad15b876b3f5d06b3719504fdf009e71df56e00999b1d/Juri_Annee_Yurie_dePunt_03s.jpg" />cave of forgotten dreams performance with Juri Suzuki and dancer Yurie Umamoto <img width="1366" height="2048" width_o="1366" height_o="2048" data-src="https://freight.cargo.site/t/original/i/c632b0adeedfd221cc4149ecfd4ff4211a8b5cb1cf3c183386a04322947972fa/Juri_Annee_dePunt_35s.jpg" data-mid="190870140" border="0" src="https://freight.cargo.site/w/1000/i/c632b0adeedfd221cc4149ecfd4ff4211a8b5cb1cf3c183386a04322947972fa/Juri_Annee_dePunt_35s.jpg" />Detail of Marbl columns from the interior of Rubens House, Antwerp linseed oil, pigment, paper, metal string, 2018 Cave of Forgotten Dreams with Juri Suzuki, de Punt, Amsterdam WHERE YOU BLONDE?&nbsp;exhibition <img width="3508" height="4961" width_o="3508" height_o="4961" data-src="https://freight.cargo.site/t/original/i/faec475e66837c594f598888206d06ed253ee6effc7904b0e5d860c460df76cb/annee_plakat.jpg" data-mid="129745695" border="0" src="https://freight.cargo.site/w/1000/i/faec475e66837c594f598888206d06ed253ee6effc7904b0e5d860c460df76cb/annee_plakat.jpg" /> Were You Blonde?, Solo exhibition, Galleri Kulviksvingen, 2015Selbu, Norway POOL MADE OF MIRRORS performance <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/2e7a132252191d4907f4cc35c3badfd488aed3f4de00d58e559fe3cee9f60775/physical-fiction.jpg" data-mid="129745699" border="0" src="https://freight.cargo.site/w/1000/i/2e7a132252191d4907f4cc35c3badfd488aed3f4de00d58e559fe3cee9f60775/physical-fiction.jpg" /> Pool Made of Mirrors (performance), 2016Garage, Rotterdam SOBER LIGHTSABERSperformance <img width="1241" height="1754" width_o="1241" height_o="1754" data-src="https://freight.cargo.site/t/original/i/cb4807019ee42962b6e263e99474b4602c9a243b927379f4bfae8939627fed19/SOBER-LIGHTSABERS.jpg" data-mid="190870139" border="0" src="https://freight.cargo.site/w/1000/i/cb4807019ee42962b6e263e99474b4602c9a243b927379f4bfae8939627fed19/SOBER-LIGHTSABERS.jpg" />Sober Lightsabers, Performance, De School, Amsterdam, 2019 MATERIAL SKINzitterwerk book collection <img width="2834" height="1889" width_o="2834" height_o="1889" data-src="https://freight.cargo.site/t/original/i/b98efe1ddfea8176d10a2cbf9d693e27ffdca6df029cdc8ebb2f31e5e9e75365/ACCATTONE--6_Sitterwerk_190815_preview_editSD_GVD-copy.jpg" data-mid="190870160" border="0" src="https://freight.cargo.site/w/1000/i/b98efe1ddfea8176d10a2cbf9d693e27ffdca6df029cdc8ebb2f31e5e9e75365/ACCATTONE--6_Sitterwerk_190815_preview_editSD_GVD-copy.jpg" /> ‘material skin’ at Sitterwerk for accattone magazine #6, 2017 EXERCISES DE STYLEa home exhibition <img width="1200" height="1500" width_o="1200" height_o="1500" data-src="https://freight.cargo.site/t/original/i/d692502bf87d9ac531247a7e48ce3935ca8cbc1782000b65f8f8fc6c56bf9a3d/bertrand_cavalier_05.jpg" data-mid="190870135" border="0" src="https://freight.cargo.site/w/1000/i/d692502bf87d9ac531247a7e48ce3935ca8cbc1782000b65f8f8fc6c56bf9a3d/bertrand_cavalier_05.jpg" />Exercices de Style with Pauline BayetRue des Fabriques, BrusselsPhotograph: Betrand Cavalier <img width="1200" height="1500" width_o="1200" height_o="1500" data-src="https://freight.cargo.site/t/original/i/95fde3a87827046863eb756d174fe38219912fcbab0dd20f9e9cd84711838df2/bertrand_cavalier_07.jpg" data-mid="190870151" border="0" src="https://freight.cargo.site/w/1000/i/95fde3a87827046863eb756d174fe38219912fcbab0dd20f9e9cd84711838df2/bertrand_cavalier_07.jpg" />Exercices de Style with Pauline BayetRue des Fabriques, BrusselsPhotograph: Betrand Cavalier <img width="1200" height="1500" width_o="1200" height_o="1500" data-src="https://freight.cargo.site/t/original/i/9b5272a4b7f388229814c85af4f607d9f320731891b1ae5605a063e21b6f29bb/bertrand_cavalier_007.jpg" data-mid="190870138" border="0" src="https://freight.cargo.site/w/1000/i/9b5272a4b7f388229814c85af4f607d9f320731891b1ae5605a063e21b6f29bb/bertrand_cavalier_007.jpg" /> Exercices de Style with Pauline BayetRue des Fabriques, BrusselsPhotograph: Betrand Cavalier <img width="1200" height="1500" width_o="1200" height_o="1500" data-src="https://freight.cargo.site/t/original/i/1b813285d714904645d3eb77f26bdeaf2f0e85724792161703b625abdf1337bb/bertrand_cavalier_04.jpg" data-mid="190870159" border="0" src="https://freight.cargo.site/w/1000/i/1b813285d714904645d3eb77f26bdeaf2f0e85724792161703b625abdf1337bb/bertrand_cavalier_04.jpg" />Exercices de Style with Pauline BayetRue des Fabriques, BrusselsPhotograph: Betrand Cavalier WTC IImoving studio <img width="3456" height="4608" width_o="3456" height_o="4608" data-src="https://freight.cargo.site/t/original/i/defbdfc6e3a224cdfa651c36408f5e0861a0aefeba06f995a4a876e202273490/IMG_20181215_113232.jpg" data-mid="190870142" border="0" src="https://freight.cargo.site/w/1000/i/defbdfc6e3a224cdfa651c36408f5e0861a0aefeba06f995a4a876e202273490/IMG_20181215_113232.jpg" />Moving from WTC II Bruxelles, 2018BIRD’S EYE MAPLE painting <img width="724" height="1024" width_o="724" height_o="1024" data-src="https://freight.cargo.site/t/original/i/b74b5b01db9f90945291e75d87e35510f3580b79051aa796c0c406f0dbaca4a1/Erable-jaune--3-A3-low-res.jpg" data-mid="190870131" border="0" src="https://freight.cargo.site/w/724/i/b74b5b01db9f90945291e75d87e35510f3580b79051aa796c0c406f0dbaca4a1/Erable-jaune--3-A3-low-res.jpg" />Faux bois, érable jaune, linseed oil, pigment, paper, van der kelen-logelain, 2018 FROM PASTELS AND GUNPOWDER TO BLOOD, COFFEE AND TOBACCO STAINSexhibition <img width="3448" height="2309" width_o="3448" height_o="2309" data-src="https://freight.cargo.site/t/original/i/95463a74efa848b0847b9ea556654c56e4b41812a954d81d8bf4de66191f5834/from-pastels-and-gunpowder-5.jpg" data-mid="190870122" border="0" src="https://freight.cargo.site/w/1000/i/95463a74efa848b0847b9ea556654c56e4b41812a954d81d8bf4de66191f5834/from-pastels-and-gunpowder-5.jpg" />installing From Pastels and Gunpowder to Blood, Coffee and Tobacco StainsAlbergo Rosa (Maximiliaan Royakkers and Annee Grøtte Viken)momart, Amsterdam <img width="3543" height="2423" width_o="3543" height_o="2423" data-src="https://freight.cargo.site/t/original/i/f21d9d8110a82ad1d1f343887e5ee830991ec9fe23f0a797485cfa34461a3028/from-pastels-and-gunpowder-2.jpg" data-mid="191078292" border="0" src="https://freight.cargo.site/w/1000/i/f21d9d8110a82ad1d1f343887e5ee830991ec9fe23f0a797485cfa34461a3028/from-pastels-and-gunpowder-2.jpg" />installation view From Pastels and Gunpowder to Blood, Coffee and Tobacco StainsAlbergo Rosa (Maximiliaan Royakkers and Annee Grøtte Viken)momart, Amsterdam <img width="3543" height="2381" width_o="3543" height_o="2381" data-src="https://freight.cargo.site/t/original/i/9877f13ce2b2dbee626288ec79bafa94b3d09756484a922b7a73a09092afde62/from-pastels-and-gunpowder-1.jpg" data-mid="190870146" border="0" src="https://freight.cargo.site/w/1000/i/9877f13ce2b2dbee626288ec79bafa94b3d09756484a922b7a73a09092afde62/from-pastels-and-gunpowder-1.jpg" />installation view From Pastels and Gunpowder to Blood, Coffee and Tobacco Stains albergo rosa, Sandberg Instituut/ Momart, Amsterdam, NL GRAND ANTIQUEanimated painting <img width="320" height="320" width_o="320" height_o="320" data-src="https://freight.cargo.site/t/original/i/5cb7052d4e4ad07955a52680b134298f797077edc340c01fa7cb7525e76a5277/Grand-Antique-2-A3-150-copy_2.gif" data-mid="190870145" border="0" data-scale="100" src="https://freight.cargo.site/w/320/i/5cb7052d4e4ad07955a52680b134298f797077edc340c01fa7cb7525e76a5277/Grand-Antique-2-A3-150-copy_2.gif" />TABLE TABLEAUX or the act of letting a person into your home <img width="800" height="534" width_o="800" height_o="534" data-src="https://freight.cargo.site/t/original/i/c5e90070dfee8806f378d635266895dac9384f75661a9eff93f762bf8132be6f/kola-superdeep-4.jpg" data-mid="129745669" border="0" src="https://freight.cargo.site/w/800/i/c5e90070dfee8806f378d635266895dac9384f75661a9eff93f762bf8132be6f/kola-superdeep-4.jpg" /><img width="3029" height="4541" width_o="3029" height_o="4541" data-src="https://freight.cargo.site/t/original/i/cbd49644057f65d32c6427290d19d3a0554069c4b3bf28349b0269df88730577/kola-superdeep-intensive-care1_johannes-schwartz.jpg" data-mid="249285287" border="0" src="https://freight.cargo.site/w/1000/i/cbd49644057f65d32c6427290d19d3a0554069c4b3bf28349b0269df88730577/kola-superdeep-intensive-care1_johannes-schwartz.jpg" /> PACIFIC RING OF FIRE performance dinner <img width="5577" height="3718" width_o="5577" height_o="3718" data-src="https://freight.cargo.site/t/original/i/7c9797b7a0a95eb9579c910ef4a1cc1ef19320b6a65cf674517c782f10b07385/_L3B9174-kopi.jpg" data-mid="190870143" border="0" src="https://freight.cargo.site/w/1000/i/7c9797b7a0a95eb9579c910ef4a1cc1ef19320b6a65cf674517c782f10b07385/_L3B9174-kopi.jpg" /> Pacific Ring of Fire (Charred food in a Lush Environment)(part of Table Tableaux - orThe Act of Letting A Person Into Your Home)Albergo Rosa (Maximiliaan Royakkers and Annee Grøtte Viken)Jan van Eyck Academie <img width="1890" height="2835" width_o="1890" height_o="2835" data-src="https://freight.cargo.site/t/original/i/8bfda39dc3be678b383b6fa7501dc9d822641ffb1fa0b8c58321b168c5388e75/_L3B9172-kopi.jpg" data-mid="190870127" border="0" src="https://freight.cargo.site/w/1000/i/8bfda39dc3be678b383b6fa7501dc9d822641ffb1fa0b8c58321b168c5388e75/_L3B9172-kopi.jpg" /> Pacific Ring of Fire (Charred food in a Lush Environment)(part of Table Tableaux - orThe Act of Letting A Person Into Your Home)Albergo Rosa (Maximiliaan Royakkers and Annee Grøtte Viken)Jan van Eyck Academie <img width="2835" height="1890" width_o="2835" height_o="1890" data-src="https://freight.cargo.site/t/original/i/5954db7c2f00ac8370aa5e5c8f8b9fc270167ddfe98f12cccc8ee9c02fc843e7/_L3B9166-kopi.jpg" data-mid="190870141" border="0" src="https://freight.cargo.site/w/1000/i/5954db7c2f00ac8370aa5e5c8f8b9fc270167ddfe98f12cccc8ee9c02fc843e7/_L3B9166-kopi.jpg" />Pacific Ring of Fire (Charred food in a Lush Environment)(part of Table Tableaux - orThe Act of Letting A Person Into Your Home)Albergo Rosa (Maximiliaan Royakkers and Annee Grøtte Viken)Jan van Eyck Academie <img width="3667" height="5500" width_o="3667" height_o="5500" data-src="https://freight.cargo.site/t/original/i/9afc5fa0ce97e6e207edc9d6a882606e9fbc94c9c709be9e7878f4ff451bb08c/_L3B9186-kopi.jpg" data-mid="190870128" border="0" src="https://freight.cargo.site/w/1000/i/9afc5fa0ce97e6e207edc9d6a882606e9fbc94c9c709be9e7878f4ff451bb08c/_L3B9186-kopi.jpg" /> Pacific Ring of Fire (Charred food in a Lush Environment)(part of Table Tableaux - orThe Act of Letting A Person Into Your Home)Albergo Rosa (Maximiliaan Royakkers and Annee Grøtte Viken)Jan van Eyck AcademieWENT OUT FOR CIGARETTES AND NEVER CAME BACK installation <img width="3072" height="2057" width_o="3072" height_o="2057" data-src="https://freight.cargo.site/t/original/i/4c0b7475ec173f0f78c93312481849da8eecf7db3c32eda67d0f145f1e193d70/wentoutforcigarettes1.jpg" data-mid="191078285" border="0" src="https://freight.cargo.site/w/1000/i/4c0b7475ec173f0f78c93312481849da8eecf7db3c32eda67d0f145f1e193d70/wentoutforcigarettes1.jpg" />in progress Went Out for Cigarettes and Never Came BackAlbergo Rosa (Maximiliaan Royakkers and Annee Grøtte Viken)Sandberg Institute<img width="339" height="507" width_o="339" height_o="507" data-src="https://freight.cargo.site/t/original/i/a8f0152aee0120156858d4bb04683a6673180e51e19a254ee7f3b673c8008db6/wentoutforcigarettes5.png" data-mid="129745673" border="0" src="https://freight.cargo.site/w/339/i/a8f0152aee0120156858d4bb04683a6673180e51e19a254ee7f3b673c8008db6/wentoutforcigarettes5.png" />in progress Went Out for Cigarettes and Never Came BackAlbergo Rosa (Maximiliaan Royakkers and Annee Grøtte Viken)Sandberg Institute <img width="339" height="509" width_o="339" height_o="509" data-src="https://freight.cargo.site/t/original/i/29acfffb1ff76508c9f767bcc8d1551058e5d83904d7413f8b0023b60d431b91/wentoutforcigarettes10.png" data-mid="129745671" border="0" src="https://freight.cargo.site/w/339/i/29acfffb1ff76508c9f767bcc8d1551058e5d83904d7413f8b0023b60d431b91/wentoutforcigarettes10.png" />installation Went Out for Cigarettes and Never Came BackAlbergo Rosa (Maximiliaan Royakkers and Annee Grøtte Viken)Sandberg Institute <img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/bd50a690568e42af11cc92b957c6fcef4845d2cb1e2a030932cdd94fa0186843/14806250360351777721.jpg" data-mid="190870134" border="0" src="https://freight.cargo.site/w/1000/i/bd50a690568e42af11cc92b957c6fcef4845d2cb1e2a030932cdd94fa0186843/14806250360351777721.jpg" /> Tydal, Norway https://anneegviken.com/01 Sun, 21 Nov 2021 12:37:55 +0000 annee grøtte viken https://anneegviken.com/01 <img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/01e23f662043c0773c4d0e76b76ced337a4f06aa94fef50f78c68acfaa8de8fe/74507c7f0a19667b5bd26265e902afae_m.jpg" data-mid="125220977" border="0" alt="1/5 &mdash;IT HAD SOMETHING TO DO WITH THE TELLING OF TIME" data-caption="1/5 —IT HAD SOMETHING TO DO WITH THE TELLING OF TIME" src="https://freight.cargo.site/w/800/i/01e23f662043c0773c4d0e76b76ced337a4f06aa94fef50f78c68acfaa8de8fe/74507c7f0a19667b5bd26265e902afae_m.jpg" /> <img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/2d5648672f6d2ac267b358d43cd59cfe3f1c9312161e2fad6cbb95e5dd3b8a61/643bdc2ce8cd87a00e0046275c588600_m.jpg" data-mid="125220994" border="0" src="https://freight.cargo.site/w/800/i/2d5648672f6d2ac267b358d43cd59cfe3f1c9312161e2fad6cbb95e5dd3b8a61/643bdc2ce8cd87a00e0046275c588600_m.jpg" /> <img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/1a0c52e5321b8817222ceedc217f74f2f7287a3a1facd176e79ea7126418db97/3ae009e9d3d7ea9a2e445c988e6ac0f2_m.jpg" data-mid="125220989" border="0" src="https://freight.cargo.site/w/800/i/1a0c52e5321b8817222ceedc217f74f2f7287a3a1facd176e79ea7126418db97/3ae009e9d3d7ea9a2e445c988e6ac0f2_m.jpg" /> <img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/04d72fdfff28d104b1b7a3e5e6d17be576c2743ccc8506fd019fe3b236f67890/5443a164da4ac712e175c8540014071e_m.jpg" data-mid="125221021" border="0" src="https://freight.cargo.site/w/800/i/04d72fdfff28d104b1b7a3e5e6d17be576c2743ccc8506fd019fe3b236f67890/5443a164da4ac712e175c8540014071e_m.jpg" /> <img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/bee3f0266742cad91f3767b9e8e7bfa5491393654840874a8c365061ae6b0a8d/cf582b376c5ac9b08e9b2b642a496718_m.jpg" data-mid="125220978" border="0" src="https://freight.cargo.site/w/800/i/bee3f0266742cad91f3767b9e8e7bfa5491393654840874a8c365061ae6b0a8d/cf582b376c5ac9b08e9b2b642a496718_m.jpg" /> <img width="800" height="533" width_o="800" height_o="533" data-src="https://freight.cargo.site/t/original/i/a0ce280b2cc8bdac7b61d0fcc371827ffaa78e9e5036f9eca8bd76d9793a529b/27e94e2d4d977f06d6d6c9bc2858caf7_m.jpg" data-mid="125220974" border="0" src="https://freight.cargo.site/w/800/i/a0ce280b2cc8bdac7b61d0fcc371827ffaa78e9e5036f9eca8bd76d9793a529b/27e94e2d4d977f06d6d6c9bc2858caf7_m.jpg" /> https://anneegviken.com/02 Sun, 21 Nov 2021 12:37:56 +0000 annee grøtte viken https://anneegviken.com/02 <img width="2499" height="3488" width_o="2499" height_o="3488" data-src="https://freight.cargo.site/t/original/i/0405cd6abc9910cf113512fee6ecc5d384162296da65dfb606ef9f768a03ec6b/mechanisms-of-detection-8.jpg" data-mid="125351522" border="0" alt="1/14 &mdash; MECHANISMS" data-caption="1/14 — MECHANISMS" src="https://freight.cargo.site/w/1000/i/0405cd6abc9910cf113512fee6ecc5d384162296da65dfb606ef9f768a03ec6b/mechanisms-of-detection-8.jpg" /> <img width="8910" height="6300" width_o="8910" height_o="6300" data-src="https://freight.cargo.site/t/original/i/e6113b3acdb2fe50cbd13fcc9af9b75d5381c36b9eb224add1134b68cf97b2b7/mechanisms-of-detection-1.jpg" data-mid="125351531" border="0" alt="2/14 &mdash; OF DETECTION" data-caption="2/14 — OF DETECTION" src="https://freight.cargo.site/w/1000/i/e6113b3acdb2fe50cbd13fcc9af9b75d5381c36b9eb224add1134b68cf97b2b7/mechanisms-of-detection-1.jpg" /> <img width="2499" height="3488" width_o="2499" height_o="3488" data-src="https://freight.cargo.site/t/original/i/209f5c05803c13a9645285eb4a7fd11f4bbb315a8d8b7034c7083d2db1cfe505/mechanisms-of-detection-10.jpg" data-mid="125351536" border="0" alt="3/14 &mdash; JOURNEY" data-caption="3/14 — JOURNEY" src="https://freight.cargo.site/w/1000/i/209f5c05803c13a9645285eb4a7fd11f4bbb315a8d8b7034c7083d2db1cfe505/mechanisms-of-detection-10.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/c8db2bbf61323ef48ea0ed3628c9927818c8bcd3ea1ef7068396b2bed4bb8b8b/2.jpg" data-mid="125351608" border="0" alt="4/14 &mdash; PAST" data-caption="4/14 — PAST" src="https://freight.cargo.site/w/1000/i/c8db2bbf61323ef48ea0ed3628c9927818c8bcd3ea1ef7068396b2bed4bb8b8b/2.jpg" /> <img width="2499" height="3488" width_o="2499" height_o="3488" data-src="https://freight.cargo.site/t/original/i/b3c5cab03175807f590c01d7be680bf33f5a495f8c80f7110a972960760af888/mechanisms-of-detection-5.jpg" data-mid="125351537" border="0" alt="5/14 &mdash; INTERLUDE" data-caption="5/14 — INTERLUDE" src="https://freight.cargo.site/w/1000/i/b3c5cab03175807f590c01d7be680bf33f5a495f8c80f7110a972960760af888/mechanisms-of-detection-5.jpg" /> <img width="2499" height="3488" width_o="2499" height_o="3488" data-src="https://freight.cargo.site/t/original/i/4461c14cc1669dea446bd25f3b692114de3e019127fa1708653c72997d8ef9b2/mechanisms-of-detection-2.jpg" data-mid="125351528" border="0" alt="6/14 &mdash; LONG GONE" data-caption="6/14 — LONG GONE" src="https://freight.cargo.site/w/1000/i/4461c14cc1669dea446bd25f3b692114de3e019127fa1708653c72997d8ef9b2/mechanisms-of-detection-2.jpg" /> <img width="2555" height="1704" width_o="2555" height_o="1704" data-src="https://freight.cargo.site/t/original/i/6b42f68d485e98a02294bfdfd8342b84197f736d709fbd53028f40c56b5e359d/7.jpg" data-mid="125351542" border="0" alt="7/14 &mdash; WHISTLE SLOW" data-caption="7/14 — WHISTLE SLOW" src="https://freight.cargo.site/w/1000/i/6b42f68d485e98a02294bfdfd8342b84197f736d709fbd53028f40c56b5e359d/7.jpg" /> <img width="2499" height="3488" width_o="2499" height_o="3488" data-src="https://freight.cargo.site/t/original/i/d3876355629725c7ab884fb4c711164a4e62c46e3a72120ff83dceb6b1baf69f/mechanisms-of-detection-6.jpg" data-mid="125351530" border="0" alt="8/14 &mdash; SOFT FABULATIONS" data-caption="8/14 — SOFT FABULATIONS" src="https://freight.cargo.site/w/1000/i/d3876355629725c7ab884fb4c711164a4e62c46e3a72120ff83dceb6b1baf69f/mechanisms-of-detection-6.jpg" /> <img width="2499" height="3488" width_o="2499" height_o="3488" data-src="https://freight.cargo.site/t/original/i/1e9a3a5205894126e675a30adf33eb8ffc6aa663752f0c0775ae7332b59a9dd9/mechanisms-of-detection-4.jpg" data-mid="125351541" border="0" alt="9/14 &mdash; PERHAPS" data-caption="9/14 — PERHAPS" src="https://freight.cargo.site/w/1000/i/1e9a3a5205894126e675a30adf33eb8ffc6aa663752f0c0775ae7332b59a9dd9/mechanisms-of-detection-4.jpg" /> <img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/1f83c395ae55205d92fdaa0020ea6bf7ffe445935b2b932a81294aa0eb7d81d1/1.jpg" data-mid="125351609" border="0" alt="10/14 &mdash; TRINKET MIST" data-caption="10/14 — TRINKET MIST" src="https://freight.cargo.site/w/1000/i/1f83c395ae55205d92fdaa0020ea6bf7ffe445935b2b932a81294aa0eb7d81d1/1.jpg" /> <img width="2499" height="3488" width_o="2499" height_o="3488" data-src="https://freight.cargo.site/t/original/i/c2b2ca6b4d8142952869ae1bd036bf2534d3193f1bcd8fffa9e6187a469de50b/mechanisms-of-detection-7.jpg" data-mid="125351526" border="0" alt="11/14 &mdash; TELL ME" data-caption="11/14 — TELL ME" src="https://freight.cargo.site/w/1000/i/c2b2ca6b4d8142952869ae1bd036bf2534d3193f1bcd8fffa9e6187a469de50b/mechanisms-of-detection-7.jpg" /> <img width="480" height="320" width_o="480" height_o="320" data-src="https://freight.cargo.site/t/original/i/0573b03dcb0bf66b2e33587162332bb84a53e7ee823270f14350e647578a3e1e/13-480x320.jpg" data-mid="125351610" border="0" alt="12/14 &mdash; COLLAR BONE" data-caption="12/14 — COLLAR BONE" src="https://freight.cargo.site/w/480/i/0573b03dcb0bf66b2e33587162332bb84a53e7ee823270f14350e647578a3e1e/13-480x320.jpg" /> <img width="2499" height="3488" width_o="2499" height_o="3488" data-src="https://freight.cargo.site/t/original/i/30dd90dd190fa83223dcd9e6f1069e9b181c4bd3e002fcf3bc871b4f3d8aa2c4/mechanisms-of-detection-3.jpg" data-mid="125351525" border="0" alt="13/14 &mdash; THE LETTER" data-caption="13/14 — THE LETTER" src="https://freight.cargo.site/w/1000/i/30dd90dd190fa83223dcd9e6f1069e9b181c4bd3e002fcf3bc871b4f3d8aa2c4/mechanisms-of-detection-3.jpg" /> <img width="2499" height="3488" width_o="2499" height_o="3488" data-src="https://freight.cargo.site/t/original/i/e316ee4b8ce9746245feb4579391dcca69c922b2e75740329ec1ccd73afb64b3/mechanisms-of-detection-9.jpg" data-mid="125351540" border="0" alt="14/14 &mdash; FLEETING SPECULATIONS" data-caption="14/14 — FLEETING SPECULATIONS" src="https://freight.cargo.site/w/1000/i/e316ee4b8ce9746245feb4579391dcca69c922b2e75740329ec1ccd73afb64b3/mechanisms-of-detection-9.jpg" /> https://anneegviken.com/03 Sun, 21 Nov 2021 12:37:56 +0000 annee grøtte viken https://anneegviken.com/03 <img width="1200" height="1500" width_o="1200" height_o="1500" data-src="https://freight.cargo.site/t/original/i/1b813285d714904645d3eb77f26bdeaf2f0e85724792161703b625abdf1337bb/bertrand_cavalier_04.jpg" data-mid="125349858" border="0" alt="1/6 &mdash; OCHRE" data-caption="1/6 — OCHRE" src="https://freight.cargo.site/w/1000/i/1b813285d714904645d3eb77f26bdeaf2f0e85724792161703b625abdf1337bb/bertrand_cavalier_04.jpg" /> <img width="1200" height="1500" width_o="1200" height_o="1500" data-src="https://freight.cargo.site/t/original/i/d692502bf87d9ac531247a7e48ce3935ca8cbc1782000b65f8f8fc6c56bf9a3d/bertrand_cavalier_05.jpg" data-mid="125349861" border="0" alt="2/6 &mdash; SIENNA" data-caption="2/6 — SIENNA" src="https://freight.cargo.site/w/1000/i/d692502bf87d9ac531247a7e48ce3935ca8cbc1782000b65f8f8fc6c56bf9a3d/bertrand_cavalier_05.jpg" /> <img width="1200" height="1500" width_o="1200" height_o="1500" data-src="https://freight.cargo.site/t/original/i/c4ee303bb03e6288ee223958124fcb84d98250d5d6835ee90586b22487f2cabc/bertrand_cavalier_06.jpg" data-mid="125349865" border="0" alt="3/6 &mdash; LAQUE CARMIN&Eacute;E" data-caption="3/6 — LAQUE CARMINÉE" src="https://freight.cargo.site/w/1000/i/c4ee303bb03e6288ee223958124fcb84d98250d5d6835ee90586b22487f2cabc/bertrand_cavalier_06.jpg" /> <img width="1200" height="1500" width_o="1200" height_o="1500" data-src="https://freight.cargo.site/t/original/i/95fde3a87827046863eb756d174fe38219912fcbab0dd20f9e9cd84711838df2/bertrand_cavalier_07.jpg" data-mid="125349943" border="0" alt="4/6 &mdash; JAUNE DE CADMIUM" data-caption="4/6 — JAUNE DE CADMIUM" src="https://freight.cargo.site/w/1000/i/95fde3a87827046863eb756d174fe38219912fcbab0dd20f9e9cd84711838df2/bertrand_cavalier_07.jpg" /> <img width="1200" height="1500" width_o="1200" height_o="1500" data-src="https://freight.cargo.site/t/original/i/3e92462d32c350a897bff821dee056cee339e979b5de5f54bf404418c48ae0e3/bertrand_cavalier_01.jpg" data-mid="125349881" border="0" alt="5/6 &mdash; VERT ANGLAIS" data-caption="5/6 — VERT ANGLAIS" src="https://freight.cargo.site/w/1000/i/3e92462d32c350a897bff821dee056cee339e979b5de5f54bf404418c48ae0e3/bertrand_cavalier_01.jpg" /> <img width="1200" height="1500" width_o="1200" height_o="1500" data-src="https://freight.cargo.site/t/original/i/9b5272a4b7f388229814c85af4f607d9f320731891b1ae5605a063e21b6f29bb/bertrand_cavalier_007.jpg" data-mid="125350074" border="0" alt="6/6 &mdash; CHAT EN PORCELAINE" data-caption="6/6 — CHAT EN PORCELAINE" src="https://freight.cargo.site/w/1000/i/9b5272a4b7f388229814c85af4f607d9f320731891b1ae5605a063e21b6f29bb/bertrand_cavalier_007.jpg" /> https://anneegviken.com/04 Sun, 21 Nov 2021 12:37:56 +0000 annee grøtte viken https://anneegviken.com/04 <img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/cc9e5d605e90559fd0daedd94588f164a021f018d783ca56751a85f61263b6cb/Juri_Annee_Yurie_dePunt_14s.jpg" data-mid="125221556" border="0" alt="1/5 &mdash; TO VINEGAR" data-caption="1/5 — TO VINEGAR" src="https://freight.cargo.site/w/1000/i/cc9e5d605e90559fd0daedd94588f164a021f018d783ca56751a85f61263b6cb/Juri_Annee_Yurie_dePunt_14s.jpg" /> <img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/67eca247025310335ee42f3675e0a902940b7cde53a149e2ca1a25e6a7dd1212/Juri_Annee_Yurie_dePunt_12s.jpg" data-mid="125221563" border="0" alt="2/5 &mdash; LIKE FRUIT FLIES" data-caption="2/5 — LIKE FRUIT FLIES" src="https://freight.cargo.site/w/1000/i/67eca247025310335ee42f3675e0a902940b7cde53a149e2ca1a25e6a7dd1212/Juri_Annee_Yurie_dePunt_12s.jpg" /> <img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/5132c2339561f4d230c56366d3fee7f15dc76e3aae99a1796d729841c138606c/Juri_Annee_Yurie_dePunt_39s.jpg" data-mid="125221566" border="0" alt="3/5 &mdash; COME TO ME" data-caption="3/5 — COME TO ME" src="https://freight.cargo.site/w/1000/i/5132c2339561f4d230c56366d3fee7f15dc76e3aae99a1796d729841c138606c/Juri_Annee_Yurie_dePunt_39s.jpg" /> <img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/52a921e75ce4d3b9b7aadcce4adc497a643778a3220310c5475255d03f650d3b/Juri_Annee_Yurie_dePunt_37s.jpg" data-mid="125349613" border="0" alt="4/5 &mdash; STORIES" data-caption="4/5 — STORIES" src="https://freight.cargo.site/w/1000/i/52a921e75ce4d3b9b7aadcce4adc497a643778a3220310c5475255d03f650d3b/Juri_Annee_Yurie_dePunt_37s.jpg" /> <img width="2048" height="1366" width_o="2048" height_o="1366" data-src="https://freight.cargo.site/t/original/i/5f2455f9abb49761b6e158f9a8229d0acfc60bce7ebf47fb02a149755971d305/Juri_Annee_Yurie_dePunt_35s.jpg" data-mid="125349604" border="0" alt="5/5 &mdash; LUNATIC AND ACID " data-caption="5/5 — LUNATIC AND ACID " src="https://freight.cargo.site/w/1000/i/5f2455f9abb49761b6e158f9a8229d0acfc60bce7ebf47fb02a149755971d305/Juri_Annee_Yurie_dePunt_35s.jpg" /> https://anneegviken.com/Prospect-Cottage-The-Garden-and-The-Botanist Sun, 21 Nov 2021 12:32:40 +0000 annee grøtte viken https://anneegviken.com/Prospect-Cottage-The-Garden-and-The-Botanist THE GARDEN &amp; THE BOTANIST PROSPECT COTTAGE Screenplay and performance TMBR Assembly︎ 2018 Orginially shared in a reading performance at a TMBR Assembly in Brussels spring 2018.&nbsp; Published later as a screenplay on writingplace.org and performed at CIVA, Brussels in collaboration with composer Marthe Belsvik Stavrum. excerpt FIRST CYCLE: BE ONE TO MAKE ONE CUT TO: GARDEN, EXT. EARLY EVENING In the frame we see a variety of greens bathed in a soft turquoise light. The frame is broken by an irregular presence of familiar sounds. We are in a rundown garden that seized to exist as a garden and ran into wilderness until a Lord cut his trees about thirty years ago and the plot was once again considered to be worthy of being a garden, or seen as something that had the right to be cultivated. The garden is partly overgrown with bushes and trees whose branches and twigs lay low and embrace each other in the spaces in between, with intuitive arms whose leaves make crisp sounds as cassette tape in the hands of a con artist. Their veins squeezes and frowns as the larvae makes its final move and cuts into the leaf with slimy, guttural sounds. It silently wishes it could eat louder, as to finally warn off the gardens ever circling predators once and for all.THE BOTANIST ”You had to account for every move, arrival or exit. In the world there was a conspiracy against improvisation. It was only permitted in jazz.” THE GARDEN You already knew this but I guess the conspiracy became visible when you crossed it and images became the currency. You long to stay inside. You long for that breeze; that experience, that love. I am a voyage, I have seized to exist as a place, I exist as your desire and dream, your faith and death. I love you too but you are not my god. I think it’s honest. READ FURTHER AT WRITINGPLACE︎ Special thanks to TMBR Assembly CIVA The Garden: Annee Grøtte Viken Music: Marthe Belsvik Stavrum The Botanist / The Official; ‘Seduction Of The Minotaur’ by Anaïs Nin, Penguin Books, London, 1993; , p.5, 9, 10, 14, 31, 33 *Derek Jarman, Modern Nature Postcard (upside down): Ravello, Rufolo Villa, Gardens seen from the height. ediz. Carlo Cicalese – Ravello Image: The growing tip of a fine root – By Clematis [CC BY-SA 2.5 (https://creativecommons.org/licenses/by-sa/2.5)], from Wikimedia Common<img width="768" height="576" width_o="768" height_o="576" data-src="https://freight.cargo.site/t/original/i/2c0e9183d9e85a213aa66f476d448461602117d363f1046551f9b869ae7cd896/1024px-Root_tip-768x576.jpg" data-mid="125207762" border="0" src="https://freight.cargo.site/w/768/i/2c0e9183d9e85a213aa66f476d448461602117d363f1046551f9b869ae7cd896/1024px-Root_tip-768x576.jpg" /> https://anneegviken.com/COSMICOMICS Sun, 21 Nov 2021 12:32:40 +0000 annee grøtte viken https://anneegviken.com/COSMICOMICS COSMICOMICS*writinplace&nbsp; Ma corpo-real ArtEZ Art Academy 2017 COSMICOMICS* – was a three-day workshop by Annee Grøtte Viken in collaboration with Jorge Mejia Hernández and Mark Proosten, as part of an event by Writingplace laboratory for architecture and literature on time, storytelling and space at the art academy ArtEZ, campus Zwolle. The workshop followed lectures on the theme by Klaske Havik, Rob Hendriks and Jacob Voorthuis and explored how time is conveyed in literary narratives and how it can be translated into spatial structures and experiences. A selection of storylines touching on various conceptions of time formed the program for a 1:1 exploration of time, storytelling and space. The preceding text is a brief account of the conversations around the process and works produced by students from Corporeal, MA Interior Architecture, during the workshop. With Alana Jansen (NL), Mandela Jap-A-Joe (SUR), Malgorzata Gniatkowska (POL), Mariska Boer (NL), Qi Liu (CHN/NL), Rosie van Beuningen (NL), Fenne van den Heuvel (NL), Phuong Duy Dao (VIE), Xiaomin Deng (CHN), Cille van den Brink (NL), Ashley Hoekerd (NL) and Maarten Mulder (NL) excerpt “I couldn’t say I’ll make it the same or I’ll make it different, there were no things to copy, nobody knew what a line was, straight or curved, or even a dot, or a protuberance or a cavity. I conceived the idea of making a sign, that’s true enough, or rather, I conceived the idea of considering a sign as something that I felt like making, so when, at that point in space and not in another, I made something, mean­ing to make a sign, it turned out that I really had made a sign, after all.”*** **Italo Calvino, The Complete Cosmicomics – A Sign In Space, Penguin Books Ltd, London, 2010 Buildings retain the testimony of time like a continuous progression of their existence. Some will grow old and count the centuries, while others exist as temporary spatial manifestations of weeks or even days. Yet no matter the timeframe, buildings have to endure traces of use, modifications or other external forces that leave their mark upon them. We travel constantly in architectonic space and through time, it is an inevitable, continuous process of existence. As much as architects are often unable to influence the time and its impact upon a building, authors explore their ability to do so. A novelist can build up a storyline that embraces the entire history of the universe in 432 pages or turn 1076 pages into a sole event, on a single day, in a specific place. Time is an inherent part of storytelling, whether it exists inside or outside the words on the page. Time can be sped up or slowed down, manipulated or enhanced. Time is of the essence. How can working with the concept of time in literature open up the way we understand and create architecture? CORPOREAL READ FURTHER︎ https://anneegviken.com/The-Moonpalace-D3ATHfromAB0V3x-659-points-9-months-ago Sun, 21 Nov 2021 12:32:40 +0000 annee grøtte viken https://anneegviken.com/The-Moonpalace-D3ATHfromAB0V3x-659-points-9-months-ago The Moonpalace ‘D3ATHfromAB0V3x - 659 points 9 months ago‘ Essay&nbsp; Public SandbergSandberg Institute Open day AMSTERDAM, NL 2018︎Written account of the Open Day at the Sandberg Instituut in 2018. <img width="640" height="906" width_o="640" height_o="906" data-src="https://freight.cargo.site/t/original/i/641a4ae5fdca50c8a15d0527444b5c904add8a94f34ab063f01cfe5365982190/name-of-the-author.jpg" data-mid="125207765" border="0" src="https://freight.cargo.site/w/640/i/641a4ae5fdca50c8a15d0527444b5c904add8a94f34ab063f01cfe5365982190/name-of-the-author.jpg" />